Nature to the Rescue
by F.M. Kearney | August 24, 2016

Copyright F.M. KearneyI’ve always viewed myself as a “traditionalist.” I’ve never really strayed too far away from the boundaries of straight photography. It’s not that I have anything against digital manipulations, it’s just that I’m not an expert at it. I consider my Photoshop skills to be intermediat...

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Capturing Motion in Birds
by Nikhil Bahl | January 22, 2016

Copyright Nikhil BahlUsing a longer exposure to capture motion is very common when photographing waterfalls, although, this technique is not used as often when photographing birds. After repeatedly photographing a species, using this technique allows me to create different images from the ones I have already capture...

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Visualize and Prepare
by Juan Pons | October 1, 2015

Copyright Juan PonsIt is often said that great photos are made, not taken. This can be interpreted in many ways, but to me this means that great images are the result of some forethought, planning and skill. Yes we all get lucky from time to time and “take” a great image without much thought, but in or...

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RAW Perfection – Get in the Zone!
by Greg Basco | July 31, 2015

Copyright Greg BascoThose of you who follow my blog and/or have traveled with me on a photo tour here in Costa Rica know that I strive to capture the best RAW file possible and that I consider only a perfect (or near perfect!) RAW file to be a full success in my own photography. I don’t pretend that every photogr...

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The Rosette Nebula
by Chris White | March 16, 2015

Although I’m not an astrophotography expert, I recently posted this image under the landscapes image forum on NatureScapes.Net and was asked to describe how the image was created. As I sat down to write, I realized a little more depth on my experience would best convey how I stumbled through...

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Shooting for the Moon
by Tim Grey | December 29, 2014

I think it is fair to say that most people have been—at one time or another—fascinated with the moon in the sky above. And of course, as a photographer there’s a good chance you’ve considered including the moon in a photograph from time to time. Along the way, perhaps you’ve experience...

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Using Position in Wildlife Photography
by Steve Schwartzman | December 19, 2014

The three most important things in real estate are location, location, location. In wildlife photography, they are position, position, position. As a nature photographer specializing in plants, I offer some suggestions on using position to your advantage when creating your work.

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The Fish-eye Lens In Landscape Photography
by E.J. Peiker | October 22, 2014

The novelty fish-eye lens has long allowed photographers to explore a unique look and perspective in their picture-taking endeavors. Invented more than 100 years ago, the ultra-wide angle lens has a 180-degree angle of view and produces a hemispherical rather than the linear view that normal rec...

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Avoiding Black Backgrounds for Macro Photography
by Greg Basco | October 2, 2014

Using black backgrounds is a divisive issue in nature photography; people tend either to love them or hate them. I’m more selective. I quite like black backgrounds for nocturnal animals as they give a totally natural look. I’ve had people tell me, for instance, that they prefer red-eyed tree...

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Creating Photo Art – Part II
by Ashim Dey | August 11, 2014

“The appearance of photography with its dissolved compositional center and melted boundaries between the subject and the background contributed a lot to the new aesthetic vision. Photography taught painters to praise an ‘accidental’ natural look of the artworks.”

“The impressionist p...

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