Editorial

Visualize and Prepare

by Juan Pons | October 1, 2015

Copyright Juan PonsIt is often said that great photos are made, not taken. This can be interpreted in many ways, but to me this means that great images are the result of some forethought, planning and skill. Yes we all get lucky from time to time and “take” a great image without much thought, but in order to consistently create great images you have to be disciplined, prepare, plan, and visualize.

Visualization is a simple and effective technique that can help in providing direction and focus to your photography, whether that is wildlife, portrait, lifestyle, or whatever other type of photography you are into.

All of us wildlife photographers have those destinations we dream about going to, whether it is Africa, Madagascar, Costa Rica, Yellowstone, Alaska, or wherever. Naturally we want to make the best of the time we are there, and be productive and effective at making pictures. This is were visualization can help.

Visualization is nothing more than creating, ahead of time, in your minds eye, the images you want to create. In other words creating a mental list of those images that for you will constitute a successful trip or shoot. This will provide you with focus and purpose when at your destination and hopefully ensures that your time is spent as efficiently as possible.

Let me give you an example. Before one of my first trips to Yellowstone National Park in the winter, I studied the environment, the weather forecast, the animals and the features of Yellowstone in the winter. I read a few books about Yellowstone, about wolves, thermal features, and what winter is like in Yellowstone. I also perused a number of photo books and online photo albums from others with images of winter in Yellowstone. With this inspiration and knowledge of the environment, I created a mental list of shots I wanted to make. Some of these visualizations were pretty specific, some more vague, meaning they may have included some elements together, to exemplify some aspect of my experience there, but I may not have had a strong visual arrangement of the shot, just an idea.

One of those “vague” visualizations included the following elements: wildlife (preferably bison), snow, a thermal feature and maybe some dead vegetation. As I was walking around the Old Faithful Basin area I kept these elements in mind to try to compose an image that included these elements. I found a few situations that contained some of these elements and attempted to get a good composition for each of those to see how they would work. Here is one of my first attempts.

Bison at thermal feature - Copyright Juan Pons

Bison at thermal feature, Yellowstone NP, WY

Nice image, and it contains some of the elements I had identified in my “visualization” but I was still not satisfied, again this was a pretty vague idea. Not content with this particular arrangement, I decided to press on and keep looking for the right composition to satisfy the vague shot concept I had. Some time later I came across another arrangement of elements that I think worked better. I had to work the area to get my elements lined up right, pacing back and forth, up and down until I got the right composition.

Bison in Yellowstone National Park, Wyoming - Copyright Juan Pons

Bison at thermal feature, Yellowstone NP, WY

In this image I captured the elements I was looking for in a composition that works well for me. Had I not visualized what I was aiming for, and actively worked toward “making” this image, I would have easily missed this scene.

If you want to consistently be making good images you should be practicing visualization consistently, not just when traveling to “exotic” locations, but even when closer to home.

In this next example, I had a very concrete idea of what I was looking to shoot, and in this case the location was not so much a factor. I have been fascinated by luna moths since I first laid my eyes on one when I was about 12 years old at summer camp in New Hampshire. I learned about their behavior, their life cycles, their preferred foods (they only eat while in their caterpillar stage as the moths do not have any functioning mouth parts), etc. Typically, luna moths have 2 or 3 generations in a year, with one of those generations overwinter in their protective cocoons. I had noticed that those generations that overwinter had much more vibrant colors than those that only lived through the summer; and that in some cases the luna moths around my home had a very vibrant purple band around the bottom edges of their wings, a vibrant purple that matched almost exactly the color of the blooming redbud trees that are so prevalent around my home.

With that information I then visualized this image of an overwintering luna moth with the purple color resting on a redbud branch. Without going into too much detail I had to get very lucky to find a newly emerged luna moth with the right colors during the brief period of time in the spring when the redbud are blooming (the flowers last approximately 3 weeks). With this visualization in my head I worked hard to find the right luna at the right time for 3 consecutive springs. One year I got exceptionally lucky and got the image I had in my head all that time.

Luna Moth - Copyright Juan Pons

Luna Moth, Chatham County, NC

Where was this image taken? In my front yard! The only reason I was able to get this image was because I was prepared. I had studied these two species (luna moth and redbud tree), and visualized the image I wanted to capture. This visualization helped me persevere for more than 3 years to get the image I was looking for.

Having said all that, don’t be a slave to those images you have in your head. When working intensely in getting the image you want, we can become so focused that an elephant can walk right in front of us and we can miss it; well at least I can.

As an example, knowing the apparent playfulness behavior of Carolina chickadees I knew that they had a propensity to hang upside down on some thin smooth branches, so I had visualized this image of a chickadee hanging from a small flowering branch. As I worked hard to make this image, I was totally consumed in making it happen.

Carolina Chickadee in North Carolina - Copyright Juan Pons

Carolina Chickadee, Chatham County, NC

Well, I have made it a point to catch myself when I am too intensely focused on a given task to, from time to time, take a breather and look around me for other possibilities or unexpected images that may present themselves.

In this case I was lucky I did because I saw this fence lizard on a nearby log, and took the happy opportunity to make this other image, one that I had not expected to make, and again one that I would have missed had I not made it a point to take that breather from time to time and look around my environment.

Fence lizard in North Carolina - Copyright Juan Pons

Fence Lizard, Chatham County, NC

In summary, visualization can help you in focusing your efforts and make sure you make the most out of any shoot. Study your subjects, the location, and environment in order to help conceive compelling images.

As they say “Luck favors the prepared.”

–Juan

About the Author

As a nature and wildlife photographer, Juan Pons is a strong supporter of wildlife and natural habitat conservation. Based in North Carolina, he never ceases to be amazed by the natural subjects he photographs and hopes that sharing his photographs and knowledge will inspire others to appreciate and respect natural life. You can find more about Juan and his work at www.wildnaturephoto.com.

One thought on “Visualize and Prepare

  1. Thanks…good lessons.
    You present the classic conundrum: missing the greatness in front of you because of blindness harbored by preconceived desire…uniquely human behavior.
    I find photographing birds avoids much of that. With birds, everything happens quickly…little time to think, only time to maybe anticipate and react. For me, shooting birds has taught me to be an opportunist, as are they.

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