soft evening light


Posted by blovius on Tue May 18, 2004 9:26 am

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a quintessential adirondack summer evening on a quintessential adirondack lake.

blue mountain lake, ny, c adirondacks

you can see a larger version here

AdirondackLight
[url=http://www.adirondacklight.net][b]AdirondackLight[/b][/url] [b][i]and[/i][/b] [url=http://landscapist.squarespace.com/][b]The Landscapist[/b][/url]
Mark Hobson

My photographs aim at being true, not at being beautiful because, [i]what is true[/i] is most often beautiful.

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by Carolyn E. Wright on Tue May 18, 2004 10:20 am
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Nice mood shot. I wish the paddler was not cut off on the left side. Good motif shot.
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by Ken Cravillion on Tue May 18, 2004 2:21 pm
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Hi Mark, I knew you'd like this motif... :D

The paddler on the left helps the image flow from left to right. I almost get the feeling of the hand of man disappearing as we travel left in this image.
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by AForns on Tue May 18, 2004 4:11 pm
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This is so Cool..... love the soft light

Congratulations
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by AlexC on Wed May 19, 2004 12:38 pm
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Very nice Mark, creative and well captured, Congrats!! 8)
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by Ken Cravillion on Thu May 20, 2004 12:58 am
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Hey Mark, what are your thoughts on this image? Just curious... :)
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by blovius on Thu May 20, 2004 8:42 am
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ken,

i'll guess that that you're interested in my motivations for creating the photograph, not a critique of it.

i created the photograph because i was there and the light and air were very intriguing. the stillness and quiet represents a typical just-before-sunset adirondack summer experience.

the paddlers were headed towards my position and i knew that they would add an element of gentle movement to the otherwise static scene. i also was struck by the fact that all of the mechanized forms of watercraft seemed to be respectful of the quiet.

i chose to create a triptych instead of a continuous panoramic (i had my panoramic camera with me) because i like the visual dynamic created by breaking the scene into individual components.

as a continuous pano, the photograph would create a very pleasant mood and be an attractive representation of the adirondacks. the eye would flow pretty seamlessly across the surface of the print.

as a triptych, it is still collectively pleasant and attractive, but the eye is forced to deal with individual segments of the scene. consequently, the photograph(s) also become a statement about photography and the selective eye of the photographer. each individual segement of the triptych creates a very different interpretation of the scene (which you recognized in your first comments/post). there is a story that flows from left to right (or vice versa) that would not be so readily apparent in a continuous panoramic.

does this answer your question?
[url=http://www.adirondacklight.net][b]AdirondackLight[/b][/url] [b][i]and[/i][/b] [url=http://landscapist.squarespace.com/][b]The Landscapist[/b][/url]
Mark Hobson

My photographs aim at being true, not at being beautiful because, [i]what is true[/i] is most often beautiful.
 

by Ken Cravillion on Thu May 20, 2004 1:15 pm
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Yup, thanks for the reply.
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