I previewed Darwin & Samantha's 7D material before it went live, and I have no issue with what they reported, or their direct conclusions
for their purposes. I was one of several folks who looked at the material, all of whom as far as I know supported it; but the others were not quoted. I said quote away, who cares about flames.

If one knows anything about Darwin himself, it's clear he is a master photographer so there's no question of skill or not knowing how to focus a camera, etc. I've shot with Darwin in the field and he is meticulous in his capture and processing work. Samantha is also highly talented and equally thorough. They don't pretend to be imaging engineers, optical scientists or whatever, but they know photography. They shot 3 separate 7D bodies on a variety of lenses, locked on tripods with live view dialed up to 10X to eliminate focus issues. This info is plainly spelled out in the text and comments thread. Also spelled out is that DPP was used on default settings, since ACR support is not final and the objective was to do a comparative evaluation of initial "out of the camera" pixel level sharpness. Obviously nobody would leave the files in that state, but it's interesting to observe the qualitative results of the initial images -- never mind the specs, the test charts & MTF curves, and the performance numbers, how do the images
look? The answer is, compared to other bodies both higher- and lower-end, the images look soft and flat out of the camera.
Suggesting
why that might be -- heavyweight AA filter, diffraction limitation starting at f/6.8, shallower DOF compared to full frame, suboptimal results from DPP -- can't IMO counteract the obvious conclusion that the 7D files are initially softer than many other bodies out there, of which they showed comparative results from several. Other reviews agree with this. Reading between the lines, some supporting info for it is even buried within the glowing praise found at DPR, for example.
As they repeatedly stated, don't take their word as gospel, review for yourself and judge. For them, the "out of camera" results are unsatisfactory. They don't like to heavily post-process except when necessary for artistic reasons, and they shoot a lot of landscapes where f/11 or f/16 is de riguer. For them, the 7D doesn't cut it. For others, it will be fine, because as much info as they reported, it's obviously only part of the story for part of the potential usage patterns for this camera.
Well, enough of that. Sam & Darwin don't need me to defend them and their results.

So let me say that my own initial results, after far less methodical & a less repeated set trials than what they conducted, show me the same thing. Worse, my 7D very clearly suffers from inconsistent and occasionally gross failure of AF on static, decently contrasty subjects in sufficient light using sharp, capable optics. I'm just trying to work through all of this with the usual Canon dance -- RTFM, firmware updates, playing with custom function settings, shooting test charts, looking into microadjustment, etc. Then perhaps back to Canon for calibration, servicing and possibly replacement.
Because I don't have anything firm yet that's "review worthy", I haven't posted anything before now. But so far I echo Darwin & Sam's comments though at a more provisional level -- love the camera design & handling, like the specs, not happy with the images and need the AF to work. I'm going to keep bashing away at it, because I really want to like & keep this camera. But the jury is still out for me...