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Digital Sensor Cleaning

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As we enter the adolescence of the digital camera age after spending the last 10 years in childhood, one of the biggest weaknesses of digital imaging with DSLRs is finally starting to be addressed by the camera manufacturers. This weakness is sensor contamination, which results in undesired spots on photographs due dirt blocking light from properly illuminating the pixel sites beneath the dirt. More correctly, it is the filter in front of the sensor that is getting contaminated. This contamination can be from many sources including dust particles, particles shed by the camera through its mechanical motions, particles left over from the manufacturing process that have found its way to the sensor, lubricants used in the building of the camera, environmental contamination, human skin flakes, body and lens cap plastic shards or any of a myriad of other sources.
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My Dream SLR

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It has now been 4 years since my initial article and challenge to DSLR manufacturers to build a better digital camera. Fortunately, many of the items have come to fruition, but there is still work to be done. My initial wish list, and the one-year follow up, as well as the NatureScapes.Net letter to Canon that I drafted included the following items:
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Long-Exposure Astrophotography

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Many nature and landscape photographers have an interest in integrating the night sky into their photo portfolio. Typically, this takes the form of star-trail photography or landscapes lit by only the moon. However, the night sky can make an excellent subject on its own, especially with longer exposures. Adding a tracking mount and some processing techniques to your toolkit will allow you to explore this fascinating area of photography.
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Recipe for Panoramas

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Making panoramas using digital cameras and stitching software can be daunting to the uninitiated. This is because a number of steps must be performed correctly and in the proper sequence for the panorama to be successful. My goal here is to share with you my experience in making panoramas (or “panos” as I like to call them). I don’t claim to have the best method and I won’t compare various methods, hardware or software. You only get the benefit of what I’ve found that works best for me. My goal is to give you tools you can use in the field and on your computer to construct panos that appear as one seamless high quality print. So follow with me step-by-step, and if you choose, view a video that demonstrates these steps.
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