Getting
Published: The Query Letter
Text copyright Rod Barbee, all rights reserved
A few years ago, when I first began marketing my work, one of my pie-in-the-sky
dreams was being published in Outdoor Photographer magazine. I knew the
odds, I knew they received many submissions, and I knew that there were
two chances: slim and none. But I figured it was still worth a try. After
all, what was there to lose?
As
you may already know, the best way to get your images published in a magazine
is to write an article to accompany them. This gives the editor a good
excuse to use your pictures. Once you’ve come up with a good article
idea and have a magazine in mind, you need to convince the editor. The
way to do that is with the query letter.
The
query letter is your chance to make a good first impression. It should
accomplish three things:
1)
Get the editor’s attention
2) Serve as an example of your writing skills
3) Outline your article idea.
The
first few sentences of any article should hook the reader, convincing
them to read the rest of the article. Your query letter needs to do the
same thing with an editor. I’ll often include the opening of the
proposed article. This can accomplish two things. It gets the editor interested
and it serves as a sample of your writing. Regardless of how you begin
the query, it needs to grab the editor’s attention.
Follow
the opening with a short description of your article idea as well as a
reason why such an article would interest the magazine’s readers.
This will also show your familiarity with the magazine. (You have read
a few issues, haven’t you?) If you’re approaching a magazine
for the first time, be sure to mention any publication credits you have.
If you don’t have any yet, that’s OK. Just let your idea,
images, and writing speak for themselves.
Your
query letter should be short and to the point, no longer than one or two
pages. Don’t give the editor your photographic philosophy or go
into page after page of awards you’ve won. Editors are busy people
and you don’t want to annoy them with an overly long query.
You
also need to give the editor an idea of the kind and quality of images
with which you’ll illustrate your article. Before the advent of
photo-quality inkjet printers, this meant sending slides, tear sheets,
or both, and including a self-addressed, stamped envelope for the return
of your sample materials. Tear sheets are samples of your published work
taken directly from the publication, and if you’re yet to be published,
you won’t have any. Just include a page or two of images on letter-size
photo quality paper to support your idea. The editor can then keep these
samples on file for future reference.
Until
you’ve established a relationship with an editor, your query letter
should probably be on paper (check the magazine’s guidelines) and
sent through the mail. Once an editor gets to know you, he/she may allow
queries by email.
As
mentioned earlier, when approaching an editor with an article idea, you
need to make an impression. Misspelled words, wrong words, bad punctuation,
and bad grammar are one way to make a lasting impression. But probably
not the one you wanted.
So
let’s talk a little bit about writing. Writing can be hard work.
Actually, good writing can be very hard work. For those of us for whom
writing doesn’t come naturally, that means taking classes, reading
books on writing, and practicing. A good strategy to follow in learning
to write is to read good writing. Think about it. How did you become a
good photographer? My guess is that one of the ways was by looking at
good photographs and then trying to emulate them. So if you want to write
travel articles to go along with your travel photos, read a lot of travel
writing. If you want to write how-to articles, read a lot of those.
Be
extra careful in proofreading your work. Don’t rely on spell check,
as it doesn’t check for wrong word usage. A few common misusages
are:
Their/there/they’re
Then/than
Hear/here
Except/accept
In
fact, it’s a good idea to get someone to proofread your writing.
That extra set of eyes will often find things you overlook. Here’s
the very first query letter I sent to Rob Sheppard, the editor of Outdoor
Photographer (OP). This letter resulted in the publication of my first
article in OP.
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January
18, 2001
Outdoor
Photographer Magazine
12121 Wilshire Blvd., Suite 1200
Los Angeles, CA 90025-1176
Rob Sheppard, Editor
Dear
Mr. Sheppard,
I
have an article proposal for your consideration:
“The
only thing that happens when I push my depth of field preview
button is that the viewfinder gets too dark to see anything. This
button is useless!!” How many times have you heard a photographer,
whether beginner or experienced, say this?
Well,
I can give you about 10 practical uses for the depth of field
preview button.
I’ve
been reading Outdoor Photographer and other photo magazines for
many years and I’ve yet to read an article on this topic.
The most I’ve ever seen are statements about needing a depth
of field preview button to see what the film sees, and to let
the eye adjust to the darkened viewfinder.
I
propose an article listing several practical uses of the depth
of field preview button. These include: detecting hotspots, finding
the f-stop that will give the most pleasing background, placing
a graduated neutral density filter, detecting distracting dark
spots that may require the use of fill flash or a reflector, locating
intruders (out of focus elements at the edge of an image), detecting
possible lens flare problems, and a few more.
I’ve
begun teaching photography locally and with Bill Fortney’s
Great American Photography Weekend workshops, and the use (or
uselessness) of the depth of field preview button is a topic that
often comes up. I think an article on the subject would be of
great interest, and of great use, to your readers.
My
publishing credits include Northwest Travel magazine
and calendar, Nature Photographer magazine (articles
and photos), Backpacker magazine, National Parks
magazine, The National Park Service, “American
Vision” by Amphoto Books, and others.
I
look forward to hearing from you at your earliest convenience.
I’ve enclosed a page of inkjet printed images that could
help illustrate the article and will serve as a small sampling
of my work. Please feel free to keep it for your files.
Enclosed
is a SASE for your convenience.
Sincerely,
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This
query covered all the basics. It gets the editor’s attention; it
outlines the idea, and it gives a small sample of writing. I also include
a few publishing credits and teaching credentials to make the editor’s
job of “hiring” me a little easier.
Because
they wanted to use the article, this told me a couple of things. First,
editors really do read query letters, and secondly, you don’t have
to be a well-known photographer to get into OP. You need a good idea,
good images, and competent writing skills.
Here’s
another query letter, this one to a regional magazine. This magazine had
already used several of my pictures so I had an established relationship.
June
25, 2001
Northwest
Travel Magazine
Northwest Regional Magazines
Judy Fleagle, editor
PO Box 18000
Florence, OR 97439-0130
Dear Ms. Fleagle,
I
have an idea for a short article on the magnificent view and breakfast
one can find at the Many Glacier Hotel in Glacier National Park,
MT. Historic Many Glacier Hotel sits on the shores of Swiftcurrent
Lake in the Many Glacier area of the national park and the sunrise
light on Grinnell Point, which is across the lake, can be spectacular.
But the best part just might be the buffet breakfast in the hotel’s
dining room. What a great morning it can be: rising early for
the sunrise and then having a wonderful breakfast with a view.
I can supply images for this article and include directions, time
of year to visit, etc. This article could be around 400-500 words,
or more if you would like.
My
previous photo publishing credits include Backpacker
magazine, Northwest Travel magazine and calendar, the
National Park Service, National Parks magazine,
and American Vision by Amphoto books. I have also had
photos and articles published in Nature Photographer
magazine and am scheduled to have an article published in Outdoor
Photographer magazine this coming September.
I
look forward to hearing from you.
Sincerely,
Encl.,
SASE, sample image (feel free to keep for your files)
|
This query resulted in a short feature about the Many Glacier Hotel. I
used the same basic “Breakfast with a view” idea later the
same year in a query to Outdoor Photographer. That article appeared in
OP in 2002.
Query
letters open doors; they’re your introduction to an editor. Keep
them brief and to the point. Clearly outline your idea and above all,
make sure your idea is appropriate to the magazine and will appeal to
its readers.
It
doesn’t matter if you have great images or article ideas if you
don’t get them in front of an editor. The well-written query letter
is the way to do that.
Writing
Resources
There
are plenty of resources available to assist you in every aspect of writing.
A few I recommend are:
General
Writing and Grammar
(Click on the book cover image to find it at Amazon.com.)
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Woe
Is I by Patricia O’Conner |
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Words
Fail Me by Patricia O’Conner |
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On Writing
Well by William Zinsser |
Writing
for Magazines
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Handbook
of Magazine Article Writing by Writer’s Digest Books
(contains a whole chapter on query letters) |
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1818
Ways to Write Better & Get Published by Scott Edelstein |
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Photographer’s
Market
and Writer’s Market from Writer’s Digest
Books. Both of these have contact information as well as guidelines
for submissions. |

The
natural beauty Rod Barbee discovered during backpacking trips into Olympic
National Park led him to nature photography. A NatureScapes.Net columnist,
Rod is a professional nature photographer and writer with numerous publishing
credits. He has taught nature photography through various organizations
and currently serves as the Assistant Director of Olympic
Mountain School of Photography. Please visit his website at www.rodbarbee.com.
Feel
free to send your comments on this article to the
at NatureScapes.Net.

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